Film Review - The Current War
A
stylishly shot period drama, charting the race to provide the world with
electricity, should have been compulsive viewing. Instead, Alfonso Gomez-Rejon’s The Current War, starring Benedict Cumberbatch, Nicholas Hoult and Michael
Shannon, fails to ignite.
Inventor
Thomas Edison (Cumberbatch) has already stunned America with his light
bulbs but needs to find a way to efficiently conduct electricity and light up
the entire country. Businessman George Westinghouse (Shannon) is his
biggest adversary. The entrepreneur had initially believed the future was in
gas. When he shifts his attention to electrical currents a bitter rivalry
ensues between the two men. The film’s opening sequences are frenetically
paced, packed with information and unexpected camera angles, courtesy of DP Chung-hoon
Chung. Edison favours the direct electricity current (DC) whereas Westinghouse
sets out to develop a system that uses an alternating current (AC). It’s
cheaper and more powerful but, as Edison sets out to prove, far more dangerous
and potentially lethal.
Edison
is always in need of funding but insists he won’t accept money from anyone who
deals in munitions or death. The banker JP Morgan (Matthew Macfadyen) is his
long-suffering benefactor. While demonstrating the hazards of using the
alternating current, Edison kills a horse with one jolt and attracts the attention
of those trying to find a more humane way to inflict the death penalty. The
tension between Edison and Westinghouse ratchets up a notch when they find
themselves in competition to light the 1893 Chicago World’s Fair. Determined to
win at all cost, Edison abandons his scruples in an attempt to discredit his
rival and they become embroiled in a bitter court case.
Early
on, Edison loses his beloved wife Mary (Tuppence Middleton) but barely pauses
to grieve. He is supported by his loyal secretary Samuel Insull (Tom Holland)
while Westinghouse’s plucky wife Marguerite (Katherine Waterston) stands by her
husband throughout. Meanwhile, a brilliant Serb inventor, Nikola Tesla (Hoult),
has arrived on the scene, but struggles to reap the necessary funds to continue
his pioneering work and enjoy the lavish life he aspires to. Edison employs Tesla
in his lab at Menlo Park, New Jersey, but refuses to take him seriously so the
young inventor tries his luck with Westinghouse.
The
Current War was widely panned when it premiered at
the Toronto Film Festival in 2017. Despite its star cast and celebrity backing,
the film was dropped from its original distributor, The Weinstein Company, following
the sexual abuse claims against the producer. It has been re-edited by Gomez-Rejon
and is consummately well-acted. Somehow, though, the sparks just don’t fly in Michael
Mitnick’s screenplay. It may be because the world it inhabits is unremittingly male,
but The Current War feels like a history lesson with interesting
visuals, rather than a compelling, fully-realised historical drama.
Originally published by Cine-vue.com